Somatography. Body in the film image: Paulina Kvyatkovskaya

Paulin Kvyatkovskaya with her “somatography” with confidence can be called a kind of discoverer in revealing the problem of bodily bodies in the cinema: she transferred the category of television from philosophy to cinema, analyzing specific patterns, through which one or another type of bodily in the cinema is revealed. This book is based on the suspicion that the body’s experience is closely connected over time. The stimulus for the analysis was the film theory of Deleuz-its cinema of the image-movement and image-time. The author distinguishes several types of bodily – the body is mnemonic, crystalline, nomadic, traumatic and anarchist – and as an example of each of them, it uses the outstanding film works of European filmmakers. A distinctive feature of these works is the experience of a certain existential injury (all films were shot after the Second World War), and the method of image image in these films reflects the inextricable connection of bodily and time.
The book will find its reader, first of all, among the directed …

Author
Kvyatkovskaya Paulina
Editor
Radeev Artem Evgenievich
Translator
Komaristov Alexander Vasilievich
Publisher
Humanitarian Center, 2014
Series
Philosophy. Society